影片名称:坐卧两用室
影片别名:zuowoliangyongshi
上映时间:1969
国家/地区:英国
影片语言:英语
影片类型:电影,喜剧片
影片导演:丽塔·塔欣厄姆,拉尔夫·理查德森,彼得·库克
影片演员:理查德·莱斯特
资源类别:HD中字
资源更新:已完结
总播放次数:566次
添加时间:2025-01-09 16:06:57
剧情介绍:
电影,喜剧片《坐卧两用室》全集免费在线观看由茶杯狐收集于网络,一部很不错的影片,如果觉得不错还可以分享给你的朋友一起看哦...
这是Richard Lester最好的一个片 An absurdist classic This is a wonderful surreal comedy based on the play by Spike Milligan and John Antrobus. You know that it is going to be an odd film right at the beginning, when the opening credits list the cast in order of their height. The film begins with the BBC (Frank Thornton) telling us through the facade of an old television that this is the third, or is it the fourth, anniversary of the shortest war in history, lasting 2 hours and 28 minutes. England is now a barren landscape, littered with derelict cars and buildings, hills of old boots, broken crockery, and other debris. Forty million people perished and there are only 20 known survivors. The Queen did not survive, and of the 20 known survivors the next in line for the throne is a Mrs Ethel Schroake of 393a High Street, Leytonstone. Among the other survivors are Ralph Richardson (O Lucky Man!) as Lord Fortnum of Alamein, who isn't looking forward to his impending mutation into a bed sitting room. Michael Hordern is Bules Martin, who wears a 18-carat Hovis bread ring. Spike Milligan is a postman who wanders around and delivers some memorable dialogue, for example And in come the three bears - the daddy bear said, 'Who's been sleeping in my porridge' - and the mummy bear said, 'that's no porridge, that was my wife' . Arthur Lowe is slowly turning into a parrot (which is then eaten by Spike Milligan), while his wife, the owner of her own death certificate, turns into a wardrobe. His daughter is pregnant with a strange creature, which she has held inside her for seventeen months. Peter Cook and Dudley Moore are a pair of policemen who perpetually tell the others to keep moving!. Moore growls a lot and turns into a dog at the end. Marty Feldman is a wellington-boot-wearing nurse. It's a hilarious, absurdist treat, and one of my treasured filmic pleasures.
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